Don Casey - Dragged Aboard Storm Tactics Handbook:
Modern Methods of Heaving-To for Survival in Extreme Conditions
by Lin Pardey and Larry Pardey


      

Other books by Lin and Larry Pardey
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RE: lv-ab: Paint or Vinyl for Name on Transom?

From: Rick Kennerly (no email)
Date: Fri Aug 13 1999 - 16:01:29 EDT

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    -snip-

    |:-Needless to say our
    |:-friends were outraged that this so called artist was unethical enough to
    |:-take their money and then share the logo freely with his friends.

    -snip-

    Nothing unethical about it really. This kind of misunderstanding happens
    frequently when novices get involved with intellectual property rights law.
    For instance, substitute writer for graphics artist. I've written an
    occasional magazine article and so I have to negotiate what rights I'm
    selling (First North American Serial Rights, usually) and what rights I
    reserve (all others). If a publication wants exclusive rights to the
    article, then they have to negotiate more money for the article (or a
    guarantee of more work for the writer or something).

    Mostly magazines pay to use the article once and then the writer can do with
    it what she wants--even give it away, as happened in the case of the boat
    design. Even if a magazine commissions the work, if I've retained the
    rights to my original thought, then just because I've sold it once doesn't
    mean I can't sell it again (think of all the SAIL magazine articles written
    by Lin & Larry Pardey that later end up as chapters in their books. In
    fact, if you read widely, it's not uncommon to come across the same article
    repeated in a different publication maybe months apart and catering to
    different subscriber bases).

    So, graphic artists are governed by and protected by the same laws as
    writers and other people who create original work. Turn the tables for a
    minute. What if your friends had decided to go into business mass producing
    the graphic that the artist was only paid once to produce? Obviously, the
    artist would want more money than if he were doing a one-off.

    If your friends had wanted to commission exclusive rights to the design,
    they should have asked for them (and at that price the artist should have
    been glad to sign them over--I must be in the wrong business). Still this
    is one of those ignorance of the law is no excuse situations. Intellectual
    property rights are very strong in the US, as many employers have found out.
    Just because a [name it] was created on your dime doesn't mean that you own
    exclusive rights to it unless you've got a contract with the
    artist/engineer/researcher/professor assigning those rights to "the
    company".

            How often we recall, with regret,
            that Napoleon once shot at a magazine editor
            and missed him and killed a publisher.
            But we remember, with charity,
            that his intentions were good.
            --Mark Twain

    Rick - nh2f
    Westsail 32 Xapic
    Annapolis, MD

    A small boat & a suitcase full of money
    beats a 40 footer tied to the Bank

    Westsail Home: http://www.erols.com/woax
    Xapic's Home: http://www.abs.net/~nh2f

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